So if there is a 4/4 kick you would use congas on the 8s - this way you will hear where your beat is in relation to the loop and you can tell if you are doing something odd and out of place - when the beat matches simply stop your loop, replace the drum on the 8s with the correct sounds and press play. Play the pattern on loop using media player or whatever -, match the tempo on 8s (i assume 8s has tap tempo to help you?) and program a beat in the 8s but use sounds that are diff to the actual loop you are using (good life in this example) right now i would focus purely on mastering the TR8S and then move to the deepmind - of course i am not saying ignore the deepmind but just play with it and try and become at one with the 8s - then everything else falls into place - you will be amazed how knowledge transfers between machines even though they have nothing to do with each otherįorget midi files for now would be my advice as you adding complications, certainly forget adding a daw -that shi7 can wait, enjoy the hardware for now and master that because daw create their own WTFĪ good idea if you really want this pattern as i assume this is a learning experience: Take your time and enjoy this journey, don't get bogged down in details too heavily, this is a fun hobby - keep it FUN. SO much to learn.learning is fun - my advice below is based on this post from you now we know you are learning and new to the game I got them during lock down but finding it hard to learn them all. The synths I will use is Deepmind 12 and made a bit of progress on that as well. I made some good progress actually I took a few drums from a 727 and mixed them with a 909 and have a decent beat. Would cubase be way better than this? Or what's the best program I can get in windows?Īt home I have a Roland TR 8S. mid file and then look at it in Aria Maestosa which is free for windows. However, I like the idea of this I actually downloaded an erasure. The mid file I found does the track a different way. i appreciate it more than when i first had one in. 'copy pad' on the SR16 is cool: stack up sounds easily. another 'wedge' machine, quite similar, is the Boss DR-660, where you can edit sounds more, but pretty similar operation. i was a fan of the HR16, which is a bit more jolly with the backlit LCD - but it couldn't save kits. using the 'erase' button to remove hits, it's hit&miss, which is fun, getting better with practice. the FILL button: takes you to the Fill in play mode, but in Compose, if you hold a pad, 'fill' retriggers notes at the same velocity/accent level, at selected quantize rate. Until you hit FILL and then you'll loop in the Fill part of the pattern until you've exited 'compose' (end up accidentally recording a random fill). if you want to keep running and toggle rec/play, start in 'compose', I like the way you can append patterns, chop down length easily, shift clock. once you have the flow of how to operate it, it can generate some good ideas. ended up just programming the drum machine from the pads. just been messing around with an Ion-badged SR16, past few days (came with a kit with pads and trigger module). Personally feel the TR/ pattern based thing is over-rated.i agree. Layering panning and tuning of sounds too. You can do quantized input on an SR16, and chaining, and any time signature, and flamming, with way more flexibility than a TR, if you want it.
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